The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
I'm so sorry, but no one's coming.
“It's not my department” 每个人都在说这句话。
态度真诚，直接问出问题，不是随大流和歌功颂德的电影，片尾三组数据展示让人深受冲击。
https://m.weibo.cn/6399822592/4683568632564369
长镜头那段朱迪科默的演技挺绝，以后肯定能拿影后
基本是小变态的独角戏 但足够撑起这个时代命题 从一个极侧面的角度 细节的描述这些新闻上的故事 尤其早阿兹海默的设计极为合理且真实 不仅是无助的救助对象 同时也是逼上战场的生力军 男女主在最后情感的最深处结合无助的时代背景情绪的崩溃是对整个故事的总结描写政府办事效率的触目惊心 在这次疫情中显得格外扎眼 数字背后的真相到现在不是反思而是避而不谈
只能说，兴，百姓苦，亡，百姓苦
艰难又勉强的看了个大概，因为朱迪科默永远定格在KE里了，斯蒂芬格拉汉姆又似乎还在浴血黑帮里…害。
影片拍攝的角度很小但很真實，電影的描寫和沉浸感充滿了感染力。
Jodie 可太能演了/角度选得不错 但不是很理解负责人的人设崩塌
不宣扬英雄主义，不过分强调正能量，而是从一个特殊人群的角度来看C19对人们的伤害。这才是疫情的正确打开方式
贯彻全片的无助和窒息感仿佛在复盘这段全世界的至暗时刻……看到中国口罩时片刻的感受到了救赎和光明
你随便骂我就是不改可比你闭嘴我改恐怖多了。
尼玛这帮白皮帮助病毒变异了好几代了吧 还尼玛舔 豆瓣这群殖人
身临其境的无助和窒息，仿佛又回到了那段末日般的日子～
什么时候起生命变得不平等了？
一堆Scousers里只有Jodie说话最好听
前半小时跟拍女主进入疗养院，结识47岁便患有阿尔兹海默症的男主。
现实比电影里还要绝望无助与残酷，大时代之下渺小的个人被牺牲在数字里
什么时候起生命变得不平等了？
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