巴尔的摩事件 高清

评分:
9.0 推荐

分类: 记录片 2018

导演: 索尼娅·孙

剧情介绍

  In the wake of the 2015 death of Freddie Gray in police custody, Baltimore was a city on the edge. Peaceful protests and destructive riots erupted in the immediate aftermath of Gray’s death, while the city waited to hear the fate of the six police officers involved in the incident, reflecting the deep divisions between authorities and the community -- and underscoring the urgent need for reconciliation.
  Directed by Sonja Sohn (one of the stars of the HBO series The Wire), Baltimore Rising follows activists, police officers, community leaders and gang affiliates, who struggle to hold Baltimore together, even as the homicide rate hits record levels, and explores how to make change when change is hard.
  The strife that grips Baltimore following the death of Freddie Gray exposes longstanding fault lines in a distraught and damaged community. Baltimore Rising chronicles the determined efforts of people on all sides who fight for justice and work to make their city better, sometimes coming together in unexpected ways, discovering a common humanity where before they often saw each other only as adversaries.
  Among the key figures spotlighted in Baltimore Rising are:
  Genard “Shadow” Barr (community leader, former gang member) is an addiction recovery specialist at the Penn-North Recovery Center, where he also helps organize a reentry jobs program for community members. Bridging the divide between police and residents of the Penn-North area, he works with all parties to mitigate violence. Barr is now working to open an entrepreneurship and job training center in West Baltimore.
  Commissioner Kevin Davis has led the Baltimore Police Department since 2015. He took over as interim police commissioner in the aftermath of the uprising and surging violence, when the mayor fired previous commissioner Anthony Batts. A lifelong Marylander, Commissioner Davis is a 25-year veteran and fourth-generation public safety professional. He was faced with repairing public trust in the department and stemming a rising tide of homicides amidst the trials of his six officers.
  Makayla Gilliam-Price (activist) founded the youth justice organization City Bloc as a high school student. She also organizes with the grassroots think-tank Leaders of a Beautiful Struggle.
  Adam Jackson (activist) is CEO of the grassroots think-tank Leaders of a Beautiful Struggle. His efforts are aimed at connecting young people to public policy and creating transformative change in Baltimore.
  Dayvon Love (activist), director of public policy for Leaders of a Beautiful Struggle, has deep experience with grassroots activism in the community. He has given numerous speeches and led workshops to give insight into the plight of its citizens.
  Kwame Rose (activist), an artist, writer, musician and public speaker, gained notoriety during the uprising that followed Freddie Gray’s death for his public confrontation with FOX News reporter Geraldo Rivera. Arrested during protests outside the trials of the police officers charged in the Gray case, he recently accepted a position in the office of Baltimore Mayor Catherine Pugh.
  Lt. Colonel Melvin Russell, chief of the Community Partnership Division, Baltimore Police Department, joined The Baltimore Police Department (BPD) in 1979 as a police cadet. He worked as a uniform patrol and then an undercover officer for 20 years before becoming an Eastern District Lieutenant in 2007. Recently he led the BPD’s chaplaincy program and worked cooperatively with such community leaders as Genard “Shadow” Barr to support a reentry jobs program and prevent another uprising during the police officers’ trials in the Gray case.
  Dawnyell Taylor (police detective) has been with the Baltimore City Police for more than 16 years. In 2015 and 2016, she was the lead investigator in the Freddie Gray homicide case, and testified at the trial of Officer Caesar Goodson Jr., who was charged with Gray’s murder. Taylor continues to serve in the police academy in Baltimore.
  The executive producers of Baltimore Rising are Sonja Sohn, Marc Levin, Anthony Hemingway, George Pelecanos and Mark Taylor; producer, Nathan Mook; supervising producers, Daphne Pinkerson and Kara Rozansky; directed by Sonja Sohn. For HBO: senior producer, Nancy Abraham; executive producer Sheila Nevins.

评论:

  • 侯千雁 9小时前 :

    Emu.近年作品之中最爱的一部啦!洪真有点武林高手出神入化的感觉了。那么幽默,纯粹,那么多奇遇构成的一天。참 순수하다. 以及依然是“电影的电影”:关于什么样的东西能成为电影,电影与真实的关系,演员与导演的关系,关于沉浸的表演(比如书店掉落的牌子、路过的小女孩,想起侯的咖啡时光)。从黑白转为彩色那一刻,一下子掉在地上,用洪的眼睛去看敏,他们在公园里就是小说家说的那个故事呀,太宝贵太感动。结尾敏从生活走进电影,走出屏幕,又走进电影,真假、电影与现实、演员与观众是种奇妙互文。看完一部电影(即便是他人的故事),什么也不想说,什么也做不了,会长久处在沉默中无法对现实做出反应,就像生了一场大病,慢慢地才能缓过来。也时常想如果出电影院有人能陪在身边多好,但这种怅然若失的感觉就是电影的charisma咯。

  • 岚莉 0小时前 :

    在酒桌上睡去,在电影院里醒来。片尾字幕已经浮现,金敏喜还在梦中。元电影。

  • 战兴业 8小时前 :

    没有比这更美的表达方式了吧。

  • 宦浩浩 1小时前 :

    导演是有多爱金敏喜这个演员,那种老去艺术家对青春的渴望,逐渐斑白头发,仍旧向她诉说着,心中的情书,成了一部电影。

  • 少巧云 7小时前 :

    剖析的天平无止靠情绪,引遇朝向言语偏袒。在时间截流中与本我相遇,也在相扣中完成闭环,疫情当下影院中的短片是那时最动人的色彩,也是这时最真挚的告白。

  • 全优瑗 9小时前 :

    洪尚秀的无聊对话电影通过建立在导演对于电影本体探讨,人物的视角转换,身份的对立融合变换进而分化充斥在电影平淡剧情之中创造他所谓的这个时代的电影艺术价值。现实之中的电影导演创意远远落后于小说家。甚至现在拿着一些理论你也可以分析最早的电影,然后从这些电影之中看出微言大义。电影之中的小说家灵感丧失转战电影。(好像电影更容易似的)更是莫大的讽刺。

  • 时阳晖 7小时前 :

    尬聊和废话,却真实无比。小说家想拍的电影理念指向自身的这部电影,又是一部元电影。故事不重要,人物的连接与表述(包括手语的表达)才是电影的核心。金敏喜捧花那段又是在秀恩爱么…确实有很多潜台词,我还没怎么看懂…

  • 宫诗槐 2小时前 :

    就是一群人互相围着各种话题聊了一个半小时,几乎没有情节的起伏,摄影机也基本上没有动过几次。感觉洪导的想法挺有趣的,拍的应该是他和金敏喜的日常状态。又觉得他这样拍的真的对观众很极端,极具私人性。也算是很特别的观影体验了,看几个人从头说到尾,自己也深深陷进这样的影像中了。

  • 凯侠 8小时前 :

    从来不让人失望…布努埃尔=20世纪,洪常秀=21世纪。

  • 惠涵润 3小时前 :

    我更愿意把洪常秀的电影当作一场影像实验,常带给人一种神奇的体验。镜头所能捕捉到的事物仅仅是他们所反射的光线通过镜头投射到传感器上的二维投影而已;电影之所以得以存在,是因为人脑的抽象能力,可以把碎片化的信息整合起来形成一个完整的对外界事物的认知。语言是一种更加抽象的投影。就像手语,几个动作就能白日漫漫和散步的想法表现得生动到位。而当我们习惯了抽象,遇到一个特别具象的事物反而会觉得陌生,大脑的抽象思维开始失灵——由此生发出一种隐隐的不安和对自己的不确定,不知在真实与虚构之间该如何切换了。

  • 性书仪 9小时前 :

    那些尬住的留白和笑着的化解,那些见面前的犹豫不决,见面后的进退失据,这一切不就是他电影的意义吗?不就是我们生活里的真实写照吗?

  • 偶妍歌 0小时前 :

    几乎每一场戏,我都会不自觉的“站”到 洪常秀的“位置”想,洪常秀在“想”什么。

  • 刘晗玥 8小时前 :

    啊好甜!这就是电影的意义和重要性所在。感觉仿佛“通过当场摄入热量增强意志力”。

  • 云静淑 7小时前 :

    8.3 追寻清晰的繁复,结尾太犯规了,以至于只能以彩蛋的方式回到现实。

  • 卫冕 8小时前 :

    很随意又很刻意,相比较于生活的神奇,可能开篇会更得我心~

  • 夔晓筠 1小时前 :

    反工业的任性气息非常招人喜欢。在微博上看到有人看完电影在柏林遇到洪尚秀与金敏喜,和导演交谈之后问可否与金敏喜合影,导演说“go ask her.”啊,我忽然意识到,即使是金敏喜这样美丽性感才华洋溢的女演员,也是如此艰难才会遇到让她感知爱情的人。

  • 宁浩言 5小时前 :

    观感甚佳,总有那么多似曾相识的时刻引人驻留。以虚构重建真实是电影之力的奥秘。

  • 敖羡丽 2小时前 :

    这是裁缝的电影。洪尚秀把自己近几部作品的概念与话题重新排列组合了一遍,新三年旧三年,缝缝补补又三年,可以说是导演界的经济适用男了。反正拍出啥都是三大常客,要不把这部戏中戏的物料再捡起来拼一拼,下一部直接就叫『「小说家的电影」中的电影』吧,闪耀柏林。

  • 岚冬 2小时前 :

    手捧着花金敏喜美得心颤!观感很好诶,没之前那些尴尬了哈哈哈

  • 富察静雅 5小时前 :

    小说家的电影,就是洪尚秀自己的电影,即片子里的小说家就是洪尚秀本人。看似讲电影,实则是讲小说,即洪的电影对位本片中作家的小说。她爱抽烟喝酒、敏感、自恋、自我怀疑,又对自己的创作力和创作健康度有极强的感知,这不就是洪自己吗?洪尚秀借小说家之口毫无遮拦地表达了自己内心的想法,以及对金敏喜的赞美和爱意。说实话,把电影里的小说家和金敏喜看成一对情侣也一点不违和,充满了暧昧的多义性。洪总是以各种身份出现在自己的电影中,对此我们已习以为常。推拉也聚焦在小说家身上。洪尚秀还是那个洪尚秀,只是现在洪片里的戏剧感已经越来越偏向发生在角色的口中,而非影像和剧作编排上了,多少有点遗憾。希望“觉得自己江郎才尽”只是一种调侃和虚言吧。

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