Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
这显然又是一部基于精细商业考量的迪士尼动画——与自我和解的安全普适主题、时空穿越的潮流科幻元素、屡试不爽的讨喜玩偶角色——简直不能更匹配合家欢观影诉求了（姑且无视LGBTQ）。尽管剧情无惊无喜，个人仍然给予推荐评价：一为巴斯光年的情怀加成；二为精致细腻的机甲设定，期待小队全员模型。
猫一号sox的空耳真的很sucks🤣
sox太萌了，什么时候出一出那个牛仔的自传电影啊，皮克斯我的女儿以后一定会喜欢。
制作水准上没的说，在冒险类型的框架下做了很多大场面的尝试，有一丝星战的感觉，保证娱乐性也基本上完成了巴斯光年起源故事的讲述，不过作为皮克斯的动画这并不让人非常满意，前半个小时的故事节奏和主题还是让我比较喜欢，探讨人生的选择，同性线加的也不违和，算是一个小泪点，但当后面的菜鸟小队出现后就非常凌乱了，靠大量笑点填充情节直接漫威化，煽情套路也非常老旧，扎克大魔王也直接魔改了身份，与玩具总动员2直接冲突，看完这部还是感觉到了皮克斯目前的创作力的下降，希望皮克斯后面的重心还是在原创动画上，做衍生也至少要拿出来《玩具总动员4》的诚意。（6.5/10）
是好看的，虽然故事有点俗气，但是猫猫好可爱好想要sox……
平庸的片子，但是美国动画一年能出两部平庸的动画已经不错了
6.5/10，《玩具总动员》系列衍生电影。
合格线的迪士尼动画，找不到粤语版是遗憾，希望之后院线会有。
从票房看起来巴斯solo能力不太行吧，玩具团人气top还是胡迪吧哈哈
叠buff是吧，黑人les是吧，还能有孩子是吧
人生苦短，在我看来lightyear的行为很自私。年轻时觉得，去很多地方认识更多人是一件很值得期待的事情，现在我觉得找到一个可以相伴一生的TA才是最幸福的。。。
这样拍下去，巴斯光年的独立电影可能就到此为止了
生硬到皲裂的LGBT元素
缺点确实比较明显，但对小朋友来说又酷又能学到知识就足够了，里面穿插的反套路和小彩蛋也提升了不少观影趣味，甚至有机会和《青春变形记》争一争明年的奥斯卡。
全片看点就是那个机器猫Sox，因为她其实是C3PO和R2D2，外加叮当机器猫的三合一，在设定上也算是偷懒了，真是随身携带，要啥都能变出来啥，这是剧情作弊吧[允悲][允悲][允悲]
没什么逻辑的儿童电影+玩具总动员前传外传，但节奏不错看着也挺开心的。平行世界/时光倒流这个完全就是不讲理……再说燃料配料sox都记得啊！原料也可以可以开采啊！原本的装置不会轻易撤掉吧，这个反派就很没有说服力。但sox猫猫真得转移了所有不合理的剧情，一拖三的闹心剧情也可以忍受。啊我好想要sox，明明猫猫才是最容易被玩具化出现在toy story里的吧！
片头字幕不打自招，如果你觉得这部片子情节保守、了无新意，没错，这是1995年一个玩具的背景设定电影。
老巴斯光年的穿越动机也比较勉强。
3.5，哪有那么难看，但的确没有到非常好看。就是很正常发挥的迪士尼动画。疫情第三年，真的需要let go一些过错，move on。#可是电影院还是看不了之2022#
把以前的那个皮克斯还给我啊
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