The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
全篇几乎从头打到尾，没什么剧情的。这样反而更没意思。可是动作戏又不太行。最大的优点就是时间短显得很紧凑，并且女主挺可爱的。
预告看起来文戏就不咋地 没想到到了正片连打戏都不咋地了
一路砍砍砍，关在高塔的公主开启逃生模式，撂倒各路壮汉，镣铐头盔长剑用的得心应手，妥妥爽片，看小公主如何切割。
反派是传教士和娜姬塔真的是惊喜了。总之只看动作戏可以给四分。
故事背景交代得不够清楚，看得稀里糊涂，不明白主旨是啥，一群海盗寻宝的故事？冲着主演们看的，剧情让人失望。
上一次看这么带感的电影还是《硬核亨利》。4星给直接。没有连篇累牍的文戏，上来就干，通篇流畅打斗。公主敏系定位，全程开挂，长镜头动作戏调皮又灵活快意，游戏感强，细节又足够R，真要说遗憾就是缺了个连续换装。要是《美少女特工队》、《花木兰》这么痛快，又岂会风评仆仆。
我觉得可以给7分，动作戏和音乐配合得很好，镜头巧妙，比预期好看不少。
动作片《非凡公主》说真的，这真的是一部无脑动作爽片…剧情简单的根本不需要过脑子！看着超能打的公主一路的砍杀…真的是…挺爽的！当然还少不了公主的师傅…琳的精彩表现！不过，各种中世纪的冷兵器对决和盔甲…还有建在海边的城堡…也是为此片增色不少啊！总之，这部影片，看着动作戏爽就完事了，完全不需要过脑…还是挺不错的哦！
有韩国特色的搞笑片，挺欢乐的，一群二货的海上之旅，比第一部多了些搞笑。
女版RRR……仅凭一己之力连续干掉几十个大汉的大女主爽片 强行给所有对手降智 一路打打杀杀就完事了
唯一的看点动作戏，说不上坏，但离好看确实还差的远
这片子是为了反迪斯尼吧，国王公主城堡高塔一个不少，就是公主很彪。国王也太菜了，好歹打两下…
小金属于是长残了，雷蒙娜时期是多么可爱的小姑娘啊。但是我觉得看妹子揍人就是比看光头大汉揍人要好看，这样会不会有人说我物化女性？
有一说一，女主演技真是差到爆，她只适合演甜美都市剧
真的，球球越南导演们都看看人家印尼人是怎么致敬港式动作的吧。动作设计要酷炫但是也要实际，不是幻想和KOF附体，还有这种左味垃圾剧情拜托也不要学，没意思，你再混也混不过你倪大哥
比第一部好看哈哈，海盗限量烟熏妆就算了，还做了相似风格的配乐，不过也蛮好听的，也有几首风格独特的，冒险故事很有内容，喜剧部分也还可以，最重要的当然是韩孝珠啦！真的又美又飒有没包袱，谁不喜欢这样的美人啊
爆米花电影，本以为纯喜剧没想到还有爱情，韩孝周又美又飒，爱了
这个电影服装和道具还有化妆，打光还挺好的。但是不好看。剧情很稀碎的感觉，没有中心，不知道到底想要表达啥。虽然知道他们要去寻宝。
算是韩国版加勒比海盗，不过少了鬼怪。女主有点像仓老师
作为快餐喜剧来看还过得去，笑点有，情节弱一些。韩孝周的妆容比海报好看一些，打戏挺real，今年第一个破百万的韩影，打卡纪念。
Copyright © 2015-2023 All Rights Reserved
