Synopsis
"Falsely accused as the murderer of my own husband... Oh, the cruel machinations of fate!" A female teacher (Lee Yong-ae) gives shelter to an escaped convict, but her husband, misconstruing her intentions, reacts violently and accidentally stabs himself to death in the process. The teacher is charged with her husband's murder, but fortunately the prosecutor on the case is a former student of hers, of whom she had taken painstaking care when she was working at an elementary school. Remembering her kindness to him, the prosecutor uncovers her innocence in court, and she is acquitted of the crime.
Notes
"A silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha)
A Public Prosecutor and a Teacher is familiar to us for the performance of Shin Chool, Korea's last silent movie narrator (known as "byeonsa"in Korean). Numerous critics have recommended the film, praising it as "a silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha), "the work of Korea's last silent movie narrator" (Kim Hong-joon), a movie that "reflects the public's consciousness and has great historical value" (Lee Seung-hun), and "the archetypal new-school film" (Chung Sung-il). As evidenced by such commentary, A Public Prosecutor and a Teacherenjoys greater recognition for its historical value as the only surviving silent movie in Korea than for its artistic or technical aspects. What is ironic is the fact that this recognition derivesfrom a production and screening method that fell behind the times, as sound films (or "talkies") had already become the norm when the movie was first made. Its inclusion in the list is therefore based on its historical, social context rather than on the film itself.
Afterword:
- Narrated by Shin Chool, who is known as Korea's last silent film narrator, A Public Prosecutor and a Teacherhas been screened at several film festivals since the latter half of the 1990s.
布里布里～布里布里～ 开心第一，开心的时候大概率不会互相伤害？其次我相信小新也从未放弃学习！完美的东西让AI去做吧，人类值得拥有不断“犯错”的青春～想起《贝克街的亡灵》，没记错的话里边要杀死精英后代，重构日本，悲伤调子；小新这次里边的侦探队像柯南的侦探小队，“犯人就是……”也很联动了～ 不过设定是反过来，是想让人人成为精英，整体开心。两者都涉及到AI科幻元素……但小新这个是给成人的童话 +科幻啊。不见得只有悲剧是“伟大”的。
如果一部电视剧都可以凝固青春 那非老友记莫属
看到Geller夫妇出来惊讶了一秒然后开始流泪。看到Janice出场小小泪目了一下。R&R最后一次拥吻“咔”后紧紧抱着不愿分开又心酸了一瞬。所幸所有人最后的结局是圆满的。丽萨本人也很有智慧，喜欢她在节目中短暂流露的人生感慨。
我宣布 这是蜡笔小新的所有剧场版里面我最喜欢的一部！！
“这部剧已经圆满的结束了，我不想再有什么搅乱我们美好的结局。”
“人生中你的朋友就是你家人的那个阶段” 一击即中的伤感，还有老友之间默契的小动作，看他们重聚，感觉也像是见到了自己的老友，大家都不再那么年轻了。
尽管很机车，但还是很怀念，尤其选角的故事。
看到钱和Joey，想到以后当我50岁的时候一定不能胖，胖太显老了。看到菲比，我要现在就开始保养，同时保持好心态，这样在年老的时候，状态依然很好。看到ross，我绝对不抽烟不喝酒，这样几十年后，即使样子变化了，嗓音依然是年轻的样子。哈哈，但愿等我50岁后，能再回来评论。
周末和高中闺蜜一起看了这个特辑，Friends!
唉，时间过得真快。以前最喜欢罗斯，现在发现念念不忘的是Chandler。
“Comedy funeral，喜剧葬礼。”
改天重温原剧，大概会是十五年里的第八遍。人类共通的情感。
老粉看了真感动啊，主创的爱和热情快溢出屏幕了。永远的老友记。I'll be there for you.
超棒的，这个令人窒息的世界，就由你来改变吧，
现在看剧进度拖到什么地步，5月底说要一起看的，一直到8月生日那天才看完……已经无法想象搬家第一年一起看完了老友记整整10季是怎么做到的了？？就……感觉恍若隔世
在小新和风间跑步的过程中哭成傻逼了哈哈哈哈，这就是学生想要按照期待成为精英和做自己好好生活之间的冲突吧！戳中了体制教育、阶级制度的痛处，“无用论”大胜利！脑洞+反叛+推理，小新大电影的无厘头，是我们不敢尝试的跳跃。
我相信相当多的高分是打给17年前的自己。把自身成长和剧联系到一起，这是老友记经典的地方。但这个重聚本质更像是安排拉胯的综艺节目
还不如去看花絮。
Where are CHICK & DUCK？😭
三颗给回忆吧。片子本身就是个综艺节目嘛，说真的我真没觉得他们六个人的私下感情很好。所以还是别入戏太深了吧。
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