Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
安志杰是真的帅，动作戏很火爆，剧情不值一提。
就是看了一个别人的故事，平淡、合理～离开一线城市，大家都幸福了～
哇，被女主惊艳了一下。（总感觉那个探长的角色好多余……）
片尾：以年为单位，以白头偕老为目的，以你为主题，这就是爱情💏
这部片子就像生活一样平淡而细腻，这样的爱情片才最打动人，轰轰烈烈的爱情片应该是过去式了，因为生活就是由一点一滴的温暖构建出来的，一言一语都充满爱意才最能触动心灵。
我喜欢里面女儿的扮演者，程思涵。希望她以后能大放异彩
跨年夜满满仪式感，适合情侣约会看，一起做个“恋爱中可能出现的问题小演习”，用来避免一些恋情中的痒，互相体谅对方的不得已，把问题消弥于日常。以年为单位不重要，以你为单位很重要。另外，杨玏和毛晓彤的CP感真好，很舒服配一脸。
我有个问题，女反派那么厉害，开头是怎么被扎昆父子欺负的
一开始的甜蜜看着还行来着，后面的矛盾升起就让人开始无语了，这就是为了演一段幼稚的不作不死的爱情故事吗？拍这么狗血的片子干嘛。。
鬼扯淡。两个疯子的演技倒是真的很好，蛇精病都轻了
电影告诉我们女孩子没事不要出国，国外很危险的
以无聊为单位的恋爱。跨年档量产流水爱情片，讲都市男女难以在工作与爱情维持平衡、渐行渐远最后复合的故事，权当看看三十而已cp再续前缘了。爱如失物招领，重回原点共同感受生命中那些遗失的美好时刻。
意外的是逗乐的地方很多，一点都不像电影，特点鲜明的角色和顺遛的剧情真适合拍成动画看
5分。从开头到分手的整个80分钟戏是立得住的，没有狗血也没有矫情，教导我们一见钟情就住在一起后患无穷，编剧要是敢在这里戛然而止那我敢给你8分。但接下来20分钟完全是狗尾续貂的happy ending！为什么国产电影总是虎头蛇尾模式！
真的是公式写出来的剧情了哈哈。离开北京大家都过得挺好的了哈哈哈😂😂
垃圾电影，希娜是唯一的宝藏女孩，这演技这女反派塑造的太完美了，真希望杨杏她能火，她值得。
在北京上演的爱情故事，看着亲切。但这样的故事绝不仅限于北京，它发生在世界的每一座城市里。如此真实，如此像我们彼此的生活。不止是爱情，连片中的亲情戏码也能让我们迅速共情，毕竟，我们都是独自在大城市打拼的一代人。戏里跨年，戏外也在跨年。电影中的温暖似乎能向外传递，让这个冬夜变得快活了起来。
房子租的不便宜吧，钱没挣回来什么吧，还看房子了，怎么就缺钱了！好羡慕
完成度挺高的网大作品，安志杰出演的也很敬业，安志杰和段奕宏都是相对喜欢的能打硬汉的演员。剧情方面就有点拉胯了，一声声龙王，仿佛在看那种龙王赘婿 歪嘴战神的感觉，哈哈哈哈#电影 #盲战
电影其实还可以，就是整个逻辑有点站不住，两个人初识就xxoo，火速同居，期间也没发生什么大事，然后因为男方创业，缺少精力陪伴和关心女方，以及假想敌，不足一年就bye了。所以！是什么？什么？！支持双方之后三年保持单身，依旧对彼此念念不忘？？？是… 命中注定？？？
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