Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
万人迷男女通吃啊，最后忽然那么深刻讲道理还不习惯了
父子文戏也太离谱了，有点喧宾夺主了。片尾曲的骑士日常算整片比较好看的地方了
反派怪人造型还蛮新颖的，有种隔壁宇宙人的感觉
这就是为什么艺术来源于生活而高于生活，在现实中我挽回不了你但是在电影里我可以
我的2021法国院线年度最佳！大胆而羞涩，天真又浪漫，推土机式的女孩儿，我怎么那么喜欢Anaïs！想把最后那段分手台词背下来。
很理想主义的片子，不过还是太顺了，也更娱乐了。相比南山部长，还是那个更对胃口。
50年了，真不容易啊，希望能继续出佳作，此生无悔入坑假面骑士！
正义是社会的秩序 VS 为了大义，可以不择手段。最后，还是不择手段赢了，又不想做好学生了。#20220504
我们应该真挚地去爱，但别让爱挤占了生活的所有空间，不要迷失或忘了自己是谁。用力感受生活，而生活并不只是充斥着渴望和美妙，还有恐惧，悲伤，责任，如果你拥有凌驾渴望之上的力量，那何不将它幻化成应对生活中所有悲喜的力量。
新本乡猛打斗分镜蛮帅，不过演员声音模仿有点刻意，不太自然。
结尾赛高，也就法国人能拍出这样的电影了吧~
主题曲超神了，终于有时王之后有好听的了 在I wanna be your hero处刚好是空我[苦涩]老泪纵横
我并不是同性恋，只是我爱的那个人，恰巧和我是相同的性别。
7/10 去年底说今年寒假就要看掉这部，结果又拖到暑假哈哈；不想考虑过多的东西，起码观影过程带给我的感受非常美好，Anaïs充满了活力，开放式结局也挺合适（最后几分钟我心都在颤...）。p.s. 谁不喜欢milf呢，更何况这可是Valeria啊（而且她在这部里的声音特别好听，我已经躺好了），期待今年的杏仁剧院！Anaïs的眼睛像小鹿一样，角色虽然莽莽撞撞但也不耽误惹人爱，忍不住想看她的其他作品；主观感受，男性在这部片里真的显得好多余（毕竟是姬片嘻嘻；《Bette Davis Eyes》好评
另外作为50周年剧场版说实话关于周年和前辈骑士的内容有些少。
优秀的演员用台词就可以达到整容效果，让那些年轻的、热衷“管理”的小生小花情何以堪
三星半
硬找一个二元对立的主题其实蛮浪费这个历史题材，剧作缺乏起伏，主题本身的挖掘也并未深入。
最终还是感性战胜了理性。anais那句“我不同意！”真霸气。
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