In the first of this two-part series, Stephen Fry reflects back on just how much has changed for gay people during his lifetime. He meets Elton John and David Furnish, the couple who inspired Stephen to be open about his sexuality as well as many others. In 1st episode, Stephen travels to Uganda, where the government is considering a new law that would make homosexuality a capital crime - putting gay people to death for their sexuality. Stephen meets the men and women targeted by this proposed law and finds out the impact it is already having on their lives. Stephen also travels to the USA to explore 'reparative therapy', which claims to offer a 'cure' for being gay. Whilst in the states, he looks at how Hollywood deals with the gay issue by talking to Neil Patrick Harris, an openly gay man who continues to land leading roles. The 2nd episode sees Stephen visit Brazil, home to the largest gay pride celebration in the world and a place that has some of the best legislation on the planet for gay equality. But it has come at a price. All of the advances have brought about a violent backlash against gay people; on average, one gay person is murdered every 36 hours in Brazil. Stephen sees how this is impacting on the lives of gay men and women there and also confronts the politician leading the fight against gay rights. Stephen also visits Russia, where gays are now worse off than they have been for a long time. Their rights are being constantly eroded by a conservative government, backed by the disapproval of the Russian Orthodox Church. Stephen then travels to India, where the old British laws that criminalised homosexuality have just been overturned. Modern India is now looking to Hindu traditions as it forges a more positive way forward for its gay citizens, including its once celebrated transgender community.
谁能想到呢，十几年后，在贺岁电影寻找到了小品全盛期（赵本山小沈阳）的既视感：设置悬浮剧情离谱，但全凭演技和信念感使得一切顺滑、合理化。所以观影氛围非常好，很多次哄堂大笑，但这种真的算电影吗？
资本家必然的黑化却通过一个巧合事件完成，整个过程就缺乏了足够的说服力，作为讽刺文本的力度显然也就弱了很多，不过在中国观众看来外国人怎么写这种故事，也都太小儿科了
又是一群资本家手下的韭菜，结尾有反转会更精彩一些
El 26 de enero de 2022, en Cine Renoir Plaza de España, Madrid. Javier Bardem都老得认不出来了… #36Goya 又及：今年的戈雅奖颁奖了，这部片子获得了6个奖项，与此相比的《平行母亲》却颗粒无收……
7.5分。其实看看这片子就知道为啥西方制造业衰退了~~这老板除了私德有亏，对人可没啥差的啊？辞退了给足钱，还关心属下家里人，对吃里扒外的门卫也百般容忍。但他得到了什么呢？最后他“不善”了，反倒又好管了？不少人说他伪善，要我说就是没收到过社会的毒打。Javier Bardem年纪大了，演技真的是越来越精湛了呢~~~
哈哈哈哈…好老板的秘诀就是公司表面的平衡被打破后想尽办法摆平所有问题，这电影应该叫老板的烦恼…
手下的小混混和公司抗议解雇的前员工发生“火拼”
（补mark）第五波疫情以来（也是今年）首次入电影院纪念~熟悉的西班牙语黑色喜剧配方，各种离谱荒诞出人意料，但没有想象中有趣，结尾的几个冷血举措大力砰砰砰击打才让人有了精神，结尾一幕好评~可以更好，有点可惜~
就为了巴登那几个吃了屎的表情，就值得四星，哈哈哈
实在理解不了简介谁写的
最后视察时工厂里所展现出的“diversity & inclusion”真的过于讽刺了。
嘴上都是情谊，心里全是生意，伪善的人真就皮笑肉不笑，利益面前翻脸不认人，男主演得惟妙惟肖，不过这样圆滑世故的人好像越来越多了，也符合内卷的客观规律，电影本来是比较无趣的，导演加了段刺激的伦理偷情，整体看添色不少，最后被炒鱿鱼的人说的话挺有意思的，本来没有发生的事情双方都默认发生了，那本身就是逢场作戏。
没觉得有多好，现实中这样的“好”老板比比皆是，所谓讽刺喜剧也就没有意思了。
墙上是“努力、平衡、忠诚”，布兰科是富有、幽默、果断。
一开始以家长式作风登场，但本质更像一个政客，在私利为优的前提下，利用各种手段保持“平衡”。
“对员工的压榨干涉已经到了无所不用其极的地步。”
去年就听说试映反馈很好，原版盛名下本有担忧依然被翻拍优化程度惊喜。改编删繁就简把中段不好笑也不走心的两男争一女无法做戏的情感支线删去，重点放在令人信服的励志主题上，完全弥补。本身喜剧技法足够优秀，笑点精准控制，如此导致无废戏，让好笑的地方更好笑，通俗简单有效。这群喜剧演员演三谷幸喜舞台式电影再合适不过。原片名指夕阳西下自然光就能拍得很好看的摄影词汇，而这版将不冷静的杀手置于“善用自然光隐藏摄影机”的戏剧冲突里爆发高能笑料，惊声尖笑中从《教父》致敬到《雨中曲》从昆汀调侃到一众港片，一出纯正的摄影机不能停式的元电影和迷影文化喜剧。而最电影的还是，一直演配角的演员首次演主角，演的恰好就是从未演过主角的演员被骗去演主角的故事，有着和去年《你好，李焕英》一样穿透银幕的感动，虚构不过现实，现实不过虚构。
全五星。看完在电影院鼓掌。最近看过最好的片。日版魔幻时刻我打了四星。知道这片子是魔幻时刻翻盘，我就想去看和默认好片起底。（剧本摆在那）。。结尾彩蛋导演抱着男主哭，看得我蛮感动的。真的不容易的，ps马丽yyds。多少字都赞美不了。
麻花目前为止最高级最好的电影，得益于原版底层设计足够牛，终于抓住了好的喜剧对人生真正的悲悯与思考。以及魏翔老师真的好好啊！我想为他结尾的片花单独打个五星！
结尾手里的冲击钻很有趣
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