With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
小虎墩已经好久没有见了，在2022年的开头再次见到小虎墩很高兴，他还是那么的可爱
还蛮可爱的，剧情比较好笑，也不低幼哈哈哈。
前期听小虎墩的声音，就像是在电影院看电影，影厅里的小孩子在疯狂吵闹，我整个人就是%#*@%#^#%*
喜欢小虎墩 太可爱了 打算回家带侄女再看一遍 哈哈
小虎墩白白胖胖真可爱，题材讲述中国快递鼻祖镖师，挺适合给小朋友的虎年贺岁电影。
30.09.2021 | @ Regal Majestic | aka "Let there be garbage". 五岁小孩写出来的剧本吗烂到好笑了。MCU又迎来烂片一部～
动画界的网大，整体低幼，细节欠打磨，频繁出二十年老梗略尬，角色背景都没问题，故事完全是信口胡诌级别拼凑，脚本浪费动画人……
为什么中国的动漫资源都在这些既没有才华也没有激情的人手上呢
一个IP，一堆拼凑起来的斗嘴画面就能组成一部电影，真的是离大谱，要看斗嘴的话，相声不是比这更精彩？
带个帽子，起个名字就算虎年元素了。。。熊孩子出门自带闪电侠超能力，果然父母双亡的都不是一般人
也就过年合家欢看看，剧情老套!结尾强行年夜饭?!短袖!春节?下雪!连基本都服装也不配合一下。
没想到这部动画片比其它两部都好些，虽然故事情节有点老套，但起码是个叙事完整条理清晰的故事，而且人物塑造的还行
小虎墩，武侠风格，虎虎生风。
今天在中国电影博物馆3厅，早上第一场：10：10—11：40！！！感觉，还是“太幼稚啦”！！！只能适合和小虎墩年纪相仿的，3—6岁的儿童！！！对于我来说，确实接受不了！！！没什么意思！！！只能是尴尬的笑笑：哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈！！！！！！
很意外的一部！虎墩真是人小鬼大有主意，为了镖师梦努力拼搏的样子看得我热血沸腾
不如雄狮少年热血，但作为贺岁动画，还算及格，剧情比较简单，适合带小孩看
和小朋友一起看的，画质很好，笑料不断，从成年人的角度来看剧情的话可能与大多数影片一致-俗套，何况这还是一个动画片，且还算完整，小孩子要的不就是简单与快乐嘛！
这个片子在春节贺岁期间很适合带小朋友一起看啊，内容挺充实。画面也很精美
贺岁档的亲子题材何以遭遇如此冷遇，几个影院一天总共加起来不到三场排片，而且呈现越来越少的趋势。看罢才明白啥叫老套，原来这些年电影的价值观审美一直在变化，这个显然跟不上时代了。但小朋友看着还行吧，6分不能再多了。。
100%漫威出品爆米花，管他是Sony还是marvel studio反正拍出来的感觉也大差不离。剧情依旧是bug一大堆，喜欢哈里森演的疯批亡命恋人，跟屠杀结合后简直欲到流鼻血，劫狱一段的亲吻戏是目前本年度最佳kiss，虐杀仇人后教堂的黑纱婚礼太变态太酷了，甚至有点不舍得他们死。毒液Eddie这对发挥平稳，明显是婚后小夫妻的小打小闹，吃醋出走还醉宿夜店，毒液要不要这么小娇妻。彩蛋沙滩蜜月互诉衷肠，就差接吻之后送入洞房，结果下一秒就是亲亲我我躺床上，满屏幕的粉色夕阳，荷尔蒙都要溢出来了。总结，这是部爱情片，爆米花爱情片里找意义？what's wrong with u？
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