Acclaimed British actor Christopher Eccleston (The Leftovers, Thor: The Dark World) will be joined by Marsha Thomason (White Collar) and Paterson Joseph (The Leftovers, Law & Order: UK) in a new four-part drama series Safe House from Eleventh Hour Films. Safe House is a tense thriller set in the beautiful wilderness of the Lake District. The cast will also include Jason Merrells (Emmerdale, Waterloo Road), Nicola Stephenson (All At Sea, Holby City), and Peter Ferdinando (Doctor Who, A Field in England) and is set to commence filming today; Monday 6th October. The 4-part drama tells the story of a married couple: Robert (Christopher Eccleston) a former detective and Katy (Marsha Thomason) a teacher who are asked by close friend and police officer Mark (Paterson Joseph), to turn their remote Guest House into a Safe House. Their first ‘guests’ at the Safe House, are a family in fear of their lives after they are violently attacked by someone who claims to know them. For Robert protecting the family resurrects fears and anxieties bound up in a terrifying night eighteen months ago - where he was protecting a star witness who was about to testify against her gangland husband. Unexpectedly, he was shot, and she was killed. As a consequence of running the Safe House, Robert re-questions this incident and uncovers a web of lies. Inspired by a real couple, Safe House is a distinctive character-driven drama created and written by Michael Crompton (Kidnap & Ransom, Carrie’s War), and directed by award-winning Marc Evans (Hinterland, Collision) and produced by Andrew Benson (Strikeback, Mad Dogs). It is being developed by Eleventh Hour Films’ Paula Cuddy, who is also an Executive Producer, alongside Jill Green. Safe House is potentially a returnable series for ITV and Eleventh Hour Films and was commissioned by ITV’s Director of Drama, Steve November and Controller of Drama, Victoria Fea. “We're delighted to commission Safe House from Jill Green and Eleventh Hour Films. It's a compelling four-part drama from Michael Crompton with great characters and genuine twists which keep you guessing right to the end.” Jill Green (Foyle’s War, Collision, The American) said: “ This brilliant idea for a psychological thriller has attracted a strong cast – and will keep viewers gripped.”
有被印度的近代史震撼到，人权是一条漫长的道路。
不能否认这个故事是好的。但是拍摄手法，一惊一乍。明白这是印度电影的风格，MV集锦。背景音乐带动节奏氛围是可以的但是too much.
这句响亮的口号喊出了印度历史上第五种姓的变革。
画面什么都很美，导演用偶像、慢动作，动作片的手法在拍这个律师，民众给予厚望，神话他，这是可悲的。
不要再叫阿三了，如果他们是，我们就是阿四了
当你觉得世界病的不轻周围很多沙币的时候，这些历史上真实存在的人和真实发生的事，让你即使在漆黑的大海中央也能相信：这世界依然存在那样一类有神性的人，ta们的存在不为名、不为利，而是众生度尽、方证菩提。
冲着印度拍这个题材我才勉强加了1星，这么高的分属实不明白。男主出来前整体节奏表演还比较流畅自然，他是印度hxm吗，总是在定格表演，再加上出戏的配乐。这么气人的故事居然拍这么平……
印度版《辩护人》，真的羡慕印度能拍这样的电影
套路工整，配乐出色，刚开始是爽片拍法，律师自带慢镜走路像赌神，后半渐入佳境。另外，配乐歌词感觉质量相当高，就算是谷歌翻译而来仍富含诗意，例如结尾那句“有没有追求的生命吗”，像是对人类为何要制造种姓划分阶层的诘问。
能拍出这样的电影，也不代表这个国家有救，敢来侵略中国领土的话，就给它再来一次双面打印。
都说这是印度版辩护人，但其实韩国还有一部很优秀的电影叫断箭，律师的老婆仅仅出场几分钟就可以比肩此片女主200分钟的精彩与坚强！五星超赞，好片
改编自印度九十年代的真人真事。剧情不复杂，就是一个律师帮助被冤枉的低种姓部落男子找回正义的故事。这其中肯定有许多障碍，整个过程充满了勇气和智慧，一波几折，终于洗清冤屈，将真凶绳之以法。可贵的是电影花了很长时间来表现部落人民的生活，看起来与主线无关，实际上是在展示低种姓阶级的勤劳和善良，比电影里那些高种姓坏人善良太多了。另外，被冤枉男子的妻子在被威胁和利诱时展现出来的勇气和自尊也让人钦佩。好奇，印度电影圈是不是没有种姓歧视？那些高种姓演员怎样和低种姓演员共事？
这放在全世界都可以通用的故事模式，但某朝是不能拍的。就连维权律师也被赶尽杀绝。本片里男主居然不被人暗杀，可以说是一大败笔，至少应该有幕后黑手们商议要不要干掉这个棘手的家伙，不用车祸不用意外，就给他按个罪名炮制一个莫须有的案子把他送牢里就行。
印度真是一个恐怖的国家啊，但勇敢的是可以把恐怖的一面展现出来。0110-午
“我相信事实。” The Lawyer.
就一句话！不是拍得有多好，是真的敢拍，真的能拍。题材取胜了，其他不聊了。
但更应该当作印度社会矛盾的缩影来看，印度城乡之间的割裂更加显著，城市里西装革履的律师可以引用判例法作为突破口，法官们也乐于倾听和秉持公正，司法的光辉却从来没有照耀过乡村。
片子是好片子，但拍的确实太累赘了，昏昏欲睡
真人真事省去了故事基础，但是电影拍的不怎么样。有些事是一定要有人去做的，如果都不去做，那么光明就会被黑暗吞噬！
虽然脸谱化严重，但谁又能拒绝以一己之力对抗强权的爱装逼正义大侠呢？（个人能当英雄，主要还是因为能找到强权的上一级来制约，不然很有可能连只是立个案都没机会）适合杀时间，能杀快三个小时…当律师指名找本赞同私刑的警长开始查案才开始真正好看起来
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