剧情介绍

  The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.
  The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,
  the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.
  Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.

评论:

  • 彩寒 1小时前 :

    这个怪物也弱鸡了,女主啥也没干都怕,自己缩回去了……

  • 彤娅 1小时前 :

    My eyes and ears are bleeding... #TIFF 2021

  • 公恨桃 4小时前 :

    事实证明一类片得足够有趣才行,另一类片够疯也很爽。这部就是足够疯足够爽足够wtf的

  • 文初 5小时前 :

    偷车,绑架,撞死人,害死朋友,史上最讨厌主角之一

  • 左丘和怡 2小时前 :

    如同电影中所演,一部像S一样的电影,蓝房子公司是疯了吗,外国人也是疯了吗?

  • 卫晖 4小时前 :

    邪教的内核,之外也没什么,就是惊吓……最后,弱女子反杀,意外成为新主!

  • 习芳芳 8小时前 :

    Trumpsploitation,挑衅并不有效,观感基本取决于观众对主角(这类)人物的态度,但萨维奇在冷幽默和惊吓场面设计上的能力有目共睹。

  • 改英媛 7小时前 :

    这种没头没尾的狗屎玩意真是要看腻看吐了,负分滚出

  • 於景福 5小时前 :

    "Annie are you okay? Killing them like OJ. If the glove does not fit, you must acquit. And if your name is Annie Hardy, then you must be the shit."

  • 夏晴画 8小时前 :

  • 丰夏青 7小时前 :

    头半段,这个女人过的是真的挺惨的,这个就很恐怖了,对比后半段,前半段才是最惊悚的,后半段那个邪物进到她的思想里面企图诱惑她然后干掉她,她禁住了诱惑,就是这么简单点事。

  • 家枫 2小时前 :

    蛾子怪怪吓人的,美国人也信各种邪神,女主意志顽强最后看似喜欢上和蛾子呆一起了,有点担心她黑化,不过难民无身份证的状态也好不到哪去。

  • 却晨菲 8小时前 :

    大家都是无脑冲动型,比如女主,你回去拿钱,在屋外等可好?女主叔叔来了之后,报警可好?而且,一点都不吓人....

  • 区绮烟 6小时前 :

    My eyes and ears are bleeding... #TIFF 2021

  • 升梓 9小时前 :

    片子挺好,算是有头有尾,后面算是把反派的来由也说清了。扣一星主要是最后的恶魔太菜了,献祭了这么多人,还以为它爬出来是献祭够了可以在这边现形了(在水下的车里也受了重伤都没爬出来),结果威力就比普通人大点,附身的时候力量强会念力,结果出来就是个寄生虫。

  • 日然 7小时前 :

    首先,这种美国文艺恐怖片,看多了,真讨厌,什么马头,捕兽河一类的,那种慢,特写细节,表情,忧伤情绪,音乐,我特么想看恐怖片,不是故作文艺的问题片,想对标调味的房间,差很多戏剧元素,更不能和噩梦娃娃屋比,太没节奏,只能和深夜小屋比一下了,也是这种无聊的文艺调调。

  • 敏尔柳 4小时前 :

    贴图完毕,转战下一个~(某些叽叽歪歪的能不能把你的精品译作发出来呢?呵呵。you can you up,no can no bb)

  • 光佳思 7小时前 :

    这是我看过最疯的女主,这也是我看过最晃的的伪纪录片!

  • 卫国龙 6小时前 :

    怪物通过两兄弟租出一幢房子,找献祭的女子,女主没有被控制,最后应该是被黑化了吧,一般般

  • 开寄松 0小时前 :

    Eminem had that Orange rhyme thing covered

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